News

This page documents the ongoing development of my artistic practice through exhibitions, research, publications, collaborations, presentations, and other professional milestones. It serves as a living archive of work in progress and the conversations that continue to shape my practice.

2026


SCADextra Peer Mentor, April 27, 2026

Appointed as a SCADextra Peer Mentor, providing one-on-one mentoring in fibers and conceptual development for undergraduate and graduate students.


Hand & Lock Prize for Embroidery, April 16, 2026

Selected by the SCAD Fibers Department to represent the university in the 2026 Hand & Lock Prize for Embroidery, an international competition recognizing excellence in embroidery and textile art.


Competitive Edge, March 16 - May 1, 2026

Exhibited at Competitive Edge, a juried group exhibition at North Seattle College Art Gallery in Seattle, Washington. The exhibition featured UNITE. and UNITED., a paired installation examining queer visibility, collective identity, and belonging through the material language of soccer.

Seattle, Washington, USA
Promotional poster for Competitive Edge, a juried exhibition at SCAD featuring works by Alexis Fredericks, including the installation UNITE. and sculptural work UNITED..

SCAD Fibers Open Studio, February 27, 2026

Returned to the SCAD Fibers Open Studio to share the continued development of my MFA thesis research, presenting new works exploring postmemory, cultural heritage, and belonging through contemporary fiber practices.

Savannah, Georgia, USA
Promotional poster for the 2026 SCAD Fibers Open Studio, where visitors were invited to tour graduate studios and engage with artists' research and creative practices.

2025


SCAD Fibers Open Studio, February 21, 2025

Promotional poster for the 2025 SCAD Fibers Open Studio, showcasing graduate student studios and works in progress at the Savannah College of Art and Design.

Participated in the SCAD Fibers Open Studio, presenting works in progress and engaging visitors in conversations surrounding memory, identity, and materiality within my developing MFA practice.

Savannah, Georgia, USA